{"id":1757,"date":"2016-11-27T10:00:59","date_gmt":"2016-11-26T23:00:59","guid":{"rendered":"https:\/\/euraw.com.au\/staging\/3790\/?p=1757"},"modified":"2026-01-26T22:08:10","modified_gmt":"2026-01-26T11:08:10","slug":"russias-break-into-blockbuster-territory","status":"publish","type":"post","link":"https:\/\/euraw.com.au\/staging\/3790\/russias-break-into-blockbuster-territory\/","title":{"rendered":"Russia&#8217;s break into blockbuster territory"},"content":{"rendered":"<p>&#8216;We&#8217;re not producing a film, we&#8217;re producing an event, said director Timur Bekmambetov about <em>Night Watch (Nochnoi Dozor)<\/em>, the stylish fantasy film that revolutionised post-Soviet cinema.<\/p>\n<p><em>Night Watch<\/em> came at a time when Russian audiences were hungry for home-grown film fare, with settings and plots they could relate to.<\/p>\n<blockquote><p>&#8221;People got tired of seeing movies filmed in New York, which seemed exotic and which presented no context for their daily lives,&#8221; said Konstantin Ernst, the film producer.<\/p><\/blockquote>\n<p>The few Russian films made in the 90s were generally art-house small productions financed by wealthy businessmen. Mass audiences still didn&#8217;t get their film fix.<\/p>\n<p>The producers of <em>Night Watch<\/em> had a Hollywood-style hit in mind. They hired a leading pop director and poured money into special effects. The resulting film got even the hard-to-impress film critics&#8217; attention. Audiences flocked to the cinemas in an unprecedented wave, making it the biggest grossing film of all time at the Russian box office, taking 464m roubles (\u00a39.16m).<\/p>\n<p>Set in modern day Moscow, <em>Nigh Watch<\/em> was adapted from a series of fantasy novels by former psychiatrist Sergei Lukyanenko. The plot focuses on the fight between beings with supernatural powers: Good Others use their abilities to heal and help, evil Others use their powers for violent, selfish ends.<\/p>\n<blockquote><p>&#8220;The battle between good and evil was very important to the [film&#8217;s] appeal. We had a strong Communist ideology for 70 years, then it crashed, and now we are creating a new infrastructure. And this story&#8230;helps create that,&#8221; says director Bekmambetov.<\/p><\/blockquote>\n<p>The cinematic style of <em>Night Watch<\/em> has been compared to <em>Blade <\/em>and <em>Gorky Park<\/em>, and its cult following to <em>The Matrix<\/em>, <em>Star Wars<\/em>, and <em>The Lord of the Rings<\/em>.<\/p>\n<p>Join us at 2.30pm next Saturday, 3 December, as we screen the film that changed the course of the Russian film industry.<\/p>\n<p><strong>Entry is free for all<\/strong> and we have planned much more than just a screening. Party Eastern European style with our team and all our film club members.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;We&#8217;re not producing a film, we&#8217;re producing an event, said director Timur Bekmambetov about Night Watch (Nochnoi Dozor), the stylish fantasy film that revolutionised post-Soviet cinema. Night Watch came at&hellip;<\/p>\n","protected":false},"author":9,"featured_media":1768,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[58],"tags":[17],"class_list":["post-1757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-euraw-stories","tag-17"],"_links":{"self":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/comments?post=1757"}],"version-history":[{"count":10,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1757\/revisions"}],"predecessor-version":[{"id":1777,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1757\/revisions\/1777"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/media\/1768"}],"wp:attachment":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/media?parent=1757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/categories?post=1757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/tags?post=1757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}