{"id":1696,"date":"2016-11-01T11:57:08","date_gmt":"2016-11-01T00:57:08","guid":{"rendered":"https:\/\/euraw.com.au\/staging\/3790\/?p=1696"},"modified":"2026-01-26T22:10:28","modified_gmt":"2026-01-26T11:10:28","slug":"how-to-depict-old-age-without-sentimentality","status":"publish","type":"post","link":"https:\/\/euraw.com.au\/staging\/3790\/how-to-depict-old-age-without-sentimentality\/","title":{"rendered":"How to depict old age without sentimentality"},"content":{"rendered":"<p>Older characters can often be cliched in films: cranky and sentimental for the old times, almost inviting sympathy from audiences. Not in Rodicas. The two octagenarians don\u2019t have time to feel sorry for themselves.<\/p>\n<p>Director Alice Gruia didn\u2019t want to have her two protagonists sitting down with a photo album, reminiscing times long gone. The two women are on the move, they have an active life going for coffees, walks on the beach, cultural events.\u00a0 Their conversation topics vary from sex and gin to career and philosophy.<\/p>\n<blockquote><p>I was more interested in how they are right now. I was talking a lot about how they see themselves, if they&#8217;re bothered about being old, looking old, when it was that they stopped thinking &#8216;I am attractive&#8217;.<\/p><\/blockquote>\n<p>Throughout the film, you&#8217;re likely to find yourself in awe of the characters&#8217; youthfulness, energy and fun spirit. How do they do it?<\/p>\n<p>There&#8217;s a lot to be said about films that give us a new perspective on aging. There is good and bad in getting old, but perhaps the good doesn&#8217;t get enough of the limelight. Let the two Rodicas show you how it&#8217;s done.<\/p>\n<p><a href=\"http:\/\/euraw.com.au\/movie-passes\/\">Book your ticket now<\/a>.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Older characters can often be cliched in films: cranky and sentimental for the old times, almost inviting sympathy from audiences. Not in Rodicas. The two octagenarians don\u2019t have time to&hellip;<\/p>\n","protected":false},"author":9,"featured_media":465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[58],"tags":[17],"class_list":["post-1696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-euraw-stories","tag-17"],"_links":{"self":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/comments?post=1696"}],"version-history":[{"count":11,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1696\/revisions"}],"predecessor-version":[{"id":1736,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/posts\/1696\/revisions\/1736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/media\/465"}],"wp:attachment":[{"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/media?parent=1696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/categories?post=1696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/euraw.com.au\/staging\/3790\/wp-json\/wp\/v2\/tags?post=1696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}